Known for movies
Short Info
Date Of Birth | January 20, 1920 |
Died | October 31, 1993, Rome, Italy |
Spouse | Giulietta Masina |
Mark | Score by Nino Rota |
Fact | The main character, Guido Contini, in the Maury Yeston musical "Nine" is inspired by Fellini. |
Federico Fellini was an Italian film director and screenwriter. He is known for his distinctive style, which blends fantasy and baroque images with earthiness. His films include La Strada, La Dolce Vita, 8½, and Fellini’s Roma.
Fellini was born on January 20, 1920, in Rimini, Italy. His father, Urbano Fellini, was a businessman and hotelier, and his mother, Ida Barbiani, was a homemaker. He had two sisters, Maria and Gabriella.
Fellini’s early education was at a Catholic boarding school. He developed a love of drawing and storytelling. When he was 13, he ran away from home to join a traveling circus. He later returned home and finished high school.
Fellini began his career as a journalist, writing for a local paper. He also wrote screenplays for Italian neorealist films. In 1943, he co-wrote the screenplay for the film La Strada, which won an Academy Award.
Fellini’s first film as a director was The White Sheik in 1952. His next film, La Strada, was a critical and commercial success. It won the Academy Award for Best Foreign Language Film.
Fellini’s films often dealt with themes of love, death, and loneliness. His films 8½ and La Dolce Vita are considered masterpieces of Italian cinema. Fellini’s Roma is a semi-autobiographical film about his childhood in Rimini.
Fellini died on October 31, 1993, in Rome, Italy.
General Info
Full Name | Federico Fellini |
Date Of Birth | January 20, 1920 |
Died | October 31, 1993, Rome, Italy |
Height | 1.83 m |
Profession | Screenwriter, Cartoonist, Film director, Actor |
Education | Sapienza University of Rome |
Nationality | Italian |
Family
Spouse | Giulietta Masina |
Children | Pier Federico Fellini |
Parents | Ida Barbiani, Urbano Fellini |
Siblings | Riccardo Fellini, Maria Maddalena Fellini |
Accomplishments
Awards | Academy Award for Best Foreign Language Film, Palme d'Or, Academy Honorary Award, David di Donatello for Best Film, Golden Lion for Lifetime Achievement, David di Donatello for Best Director, David di Donatello for Best Screenplay, Golden Globe Award for Best Foreign Language Film, Nastro d'Argento ... |
Nominations | Academy Award for Best Director, Academy Award for Best Original Screenplay, Academy Award for Best Writing Adapted Screenplay, César Award for Best Foreign Film, BAFTA Award for Best Foreign Language Film, BAFTA Award for Best Film, Directors Guild of America Award for Outstanding Directing – Fe... |
Movies | 8½, La Dolce Vita, La Strada, Amarcord, Fellini Satyricon, Nights of Cabiria, I Vitelloni, Juliet of the Spirits, Roma, Fellini's Casanova, City of Women, The Swindle, The White Sheik, Intervista, And the Ship Sails On, The Lights of Variety, The Clowns, Orchestra Rehearsal, Spirits of the Dead, Gi... |
Social profile links
Marks
# | Marks / Signs |
---|---|
1 | Includes dream like imagery and nostalgia |
2 | Score by Nino Rota |
3 | Frequently cast Marcello Mastroianni and Giulietta Masina |
4 | Bizarre, abstract plots peppered with risque humor |
Quotes
# | Quote |
---|---|
1 | Our duty as storytellers is to bring people to the station. There each person will choose his or her own train... But we must at least take them to the station... to a point of departure. |
2 | Even if I set out to make a film about a fillet of sole, it would be about me. |
3 | The visionary is the only true realist. |
4 | Talking about dreams is like talking about movies, since the cinema uses the language of dreams; years can pass in a second and you can hop from one place to another. It's a language made of image. And in the real cinema, every object and every light means something as in a dream. |
5 | With the death of Sergei Parajanov cinema lost one of its magicians. (July, 1990) |
6 | No doubt there's a connection between pathology and creation, we can't deny it. Yet I view with pleasure the work of film professionals I love, such as Bunuel, Kurosawa, Kubrick, Bergman. |
7 | Anyone who lives, as I do, in a world of imagination must make an enormous and unnatural effect to be factual in the ordinary sense. I confess I would be a terrible witness in court because of this--and a terrible journalist. I feel compelled to a story the way I see it and this is seldom the way it happened, in all its documentary detail. |
8 | I'm just a storyteller, and the cinema happens to be my medium. I like it because it recreates life in movement, enlarges it, enhances it, distills it. For me, it's far closer to the miraculous creation of life than, say, a painting or music or even literature. It's not just an art form; it's actually a new form of life, with its own rhythms, cadences, perspectives and transparencies. It's my way of telling a story. |
9 | We don't really know who woman is. She remains in that precise place within man where darkness begins. Talking about women means talking about the darkest part of ourselves, the undeveloped part, the true mystery within. In the beginning, I believe man was complete and androgynous-both male and female, or neither, like angels. Then came the division, and Eve was taken from him. So the problem for man is to reunite himself with the other half of his being, to find the woman who is right for him-right be she is simply a projection, a mirror of himself. A man can't become whole or free until he has set woman free-his woman. It's his responsibility, not hers. He can't be complete, truly alive until he makes her his sexual companion, and not a slave of libidinous acts or a saint with a halo. |
10 | [on Akira Kurosawa] I think he is the greatest example of all that an author of the cinema should be. I feel a fraternal affinity with his way of telling a story. |
11 | Happiness is simply a temporary condition that proceeds unhappiness. Fortunately for us, it works the other way around as well. But it's all a part of the carnival, isn't it. |
12 | I always direct the same film. I can't distinguish one from another. |
13 | It's absolutely impossible to improvise. Making a movie is a mathematical operation. It is like sending a missile to the moon. It isn't improvised. It is too defined to be called improvisational, too mechanical. Art is a scientific operation, so I can say that what we usually call improvisation is in my case just having an ear and eye for things that sometimes occur during the time we are making the picture. |
14 | Censorship is advertising paid by the government. |
15 | Cinema is an old whore, like circus and variety, who knows how to give many kinds of pleasure. Besides, you can't teach old fleas new dogs. |
16 | All art is autobiographical. The pearl is the oyster's autobiography. |
17 | It's easier to be faithful to a restaurant than it is to a woman. |
18 | Put yourself into life and never lose your openness, your childish enthusiasm throughout the journey that is life, and things will come your way. |
19 | You have to live spherically--in many directions. To accept yourself for what you are without inhibitions, to be open. |
20 | Our dreams are our real life. My fantasies and obsessions are not only my reality, but the stuff of which my films are made. |
21 | In the mythology of the cinema, the Oscar is the supreme prize. |
22 | In the myth of the cinema, Oscar is the supreme prize. |
23 | You exist only in what you do. |
24 | My work is my only relationship to everything. |
25 | There is no end. There is no beginning. There is only the infinite passion of life. |
Facts
# | Fact |
---|---|
1 | Born on the same day as actor DeForest Kelley. |
2 | Retrospective at the 7th New Horizons Film Festival (2007). |
3 | His ten favorite films are The Circus (1928), Any of Marx Brothers or Laurel and Hardy films, Stagecoach (1939), Rashômon (1950), Le charme discret de la bourgeoisie (1972), 2001: A Space Odyssey (1968), Pais |
4 | He is mentioned in the song "Radio Blá" by Lobão. . |
5 | Like his fellow World Cinema masters, Ingmar Bergman (who started in live theater) and Akira Kurosawa (who started in the Japanese art world) he came to cinema via circumvention after working as a journalist. |
6 | Denied his film Amarcord (1973) is autobiographical, but agreed that there are similarities with his own childhood. |
7 | In the 5th edition of 1001 Movies You Must See Before You Die (edited by Steven Jay Schneider), 7 of Fellini's films are listed: La Strada (1954), The Nights of Cabiria (1957), La Dolce Vita (1960), 8½ (1963), Juliet of the Spirits (1965), Fellini - Satyricon (1969) and Amarcord (1973). |
8 | Has been described as a major influence by, among others, Ingmar Bergman, Stanley Kubrick, Martin Scorsese, Bernardo Bertolucci and Rainer Werner Fassbinder. |
9 | Profiled in "Conversations with Directors: An Anthology of Interviews from Literature/Film Quarterly", E.M. Walker, D.T. Johnson, eds. Lanham, MD: Scarecrow Press, 2008. |
10 | A great admirer of Georges Simenon's novels. They shared a letter friendship for many years. |
11 | Dino De Laurentiis originally hoped that Fellini would direct Flash Gordon (1980). |
12 | Died the day after his 50th wedding anniversary. |
13 | Born to Urbano Fellini (1894-1956), a salesman and wholesale vendor, and his wife Ida Barbiani (1896-1984), he had two younger siblings, Riccardo (1921-1991) and Maria Maddalena (1929-2002). |
14 | His son Pier Federico was born on 22 March 1945, but died just one month later. |
15 | Many of his movies such as 8½ (1963) or Fellini - Satyricon (1969) are influenced by the work of Swiss psychiatrist Carl Jung and his ideas on the "anima" and the "animus", the role of archetypes and the collective unconscious. |
16 | His hometown Rimini named the Federico Fellini International Airport in his honor. |
17 | Is buried in the same bronze tomb as his wife Giulietta Masina and their son Pier Federico, located at the main entrance to the Cemetery of Rimini. |
18 | The Broadway musical "Sweet Charity" was inspired by Fellini's Oscar-winning film, The Nights of Cabiria (1957). |
19 | Was an admirer of director Ken Russell's work. |
20 | The main character, Guido Contini, in the Maury Yeston musical "Nine" is inspired by Fellini. |
21 | His movies La Strada (1954), The Nights of Cabiria (1957), 8½ (1963) and Amarcord (1973) were Oscar-nominated for "Best Foreign Language Film". All 4 movies won. |
22 | Biography in: John Wakeman, editor. "World Film Directors, Volume Two, 1945-1985". Pages 330-341. New York: The H.W. Wilson Company, 1988. |
23 | Was voted the 10th Greatest Director of all time by Entertainment Weekly. |
24 | He had a bombastic, short-tempered personality when shooting films, a personality he made no attempt to hide when cameras were on him. |
25 | Died on the same day as actor River Phoenix. |
26 | The term "paparazzi" comes from a character named Paparazzo in his film, La Dolce Vita (1960), who is a journalist photographing celebrities. |
27 | He was the inspiration and his voice was sampled for the album "Fellini Days" (released in 2001) by former Marillion singer Fish. |
28 | In 1966 he abandoned his planned film project "The Journey of G. Mastorna". In 1990 the storyline for the film was later adapted into a graphic novel entitled "Trip to Tulum: From a Script for a Film Idea", illustrated by Milo Manara. |
29 | He was a big fan of Stan Lee and Marvel Comics (publishers of superhero comics like Spiderman and the Hulk). |
30 | One of his first writing jobs was the Italian language script for the Flash Gordon comic strip. |
31 | Inspired the word "Felliniesque" |
Pictures
Movies
Writer
Title | Year | Status | Character |
---|---|---|---|
The Thousand Miles | inspired by announced | ||
La voce della luna | 1990 | ||
Intervista | 1987 | screenplay / story | |
Ginger and Fred | 1986 | screenplay / story | |
Alta Società: Rigatoni Barilla | 1985 | Video short | |
Che bel paesaggio: Bitter Campari | 1984 | Video short | |
And the Ship Sails On | 1983 | screenplay / story | |
City of Women | 1980 | story | |
Orchestra Rehearsal | 1978 | story / writer | |
Fellini's Casanova | 1976 | screenplay | |
Pasqualino Cammarata... capitano di fregata | 1974 | idea - uncredited | |
Amarcord | 1973 | screenplay / story | |
Roma | 1972 | screenplay / story | |
The Clowns | 1970 | TV Movie documentary | |
Fellini - Satyricon | 1969 | adaptation and screenplay | |
NBC Experiment in Television | 1969 | TV Series 1 episode | |
Sweet Charity | 1969 | based upon the screenplay by: "Nights of Cabiria" | |
Spirits of the Dead | 1968 | adaptation - segment "Toby Dammit" | |
Toby Dammit | 1968 | Short | |
Juliet of the Spirits | 1965 | screenplay / story | |
8½ | 1963 | screenplay / story | |
Boccaccio '70 | 1962 | segment "Le tentazioni del dottor Antonio" | |
La Dolce Vita | 1960 | screenplay / story | |
Fortunella | 1958 | writer | |
The Nights of Cabiria | 1957 | screenplay / story | |
Il Bidone | 1955 | ||
La Strada | 1954 | story and screenplay | |
Love in the City | 1953 | Documentary segment "Agenzia matrimoniale", uncredited | |
I Vitelloni | 1953 | screenplay / story | |
Europe '51 | 1952 | uncredited | |
Il brigante di Tacca del Lupo | 1952 | ||
The White Sheik | 1952 | screenplay / story - as F. Fellini | |
Position Wanted | 1951 | screenplay | |
Four Ways Out | 1951 | screenplay / story | |
Variety Lights | 1951 | screenplay / story | |
The Path of Hope | 1950 | screenplay / story | |
Francesco, giullare di Dio | 1950 | screenplay collaborator | |
The Ways of Love | 1950 | story by | |
The Mill on the Po | 1949 | screenplay | |
La città dolente | 1949 | writer | |
In the Name of the Law | 1949 | screenplay | |
Senza pietà | 1948 | screenplay / story | |
L'amore | 1948 | story - segment "Il miracolo" | |
Bullet for Stefano | 1947 | screenplay | |
Flesh Will Surrender | 1947 | screenplay | |
Return of the Black Eagle | 1946 | uncredited | |
Paisan | 1946 | screenplay and dialogue / story - as F. Fellini | |
Roma città aperta | 1945 | collaboration on screenplay | |
Chi l'ha visto? | 1945 | screenplay / story | |
Tutta la città canta | 1945 | screenplay - uncredited | |
Apparizione | 1943 | screenplay - uncredited | |
L'ultima carrozzella | 1943 | screenplay | |
The Peddler and the Lady | 1943 | adaptation | |
I cavalieri del deserto | 1942 | adaptation / screenplay | |
Quarta pagina | 1942 | screenplay / story | |
Avanti c'è posto... | 1942 | story - as Federico |
Director
Title | Year | Status | Character |
---|---|---|---|
The King of Ads | 1991 | Documentary segments "Campari commercial", "Barilla commercial" | |
La voce della luna | 1990 | ||
Intervista | 1987 | ||
Ginger and Fred | 1986 | ||
Alta Società: Rigatoni Barilla | 1985 | Video short | |
Che bel paesaggio: Bitter Campari | 1984 | Video short | |
And the Ship Sails On | 1983 | ||
City of Women | 1980 | ||
Orchestra Rehearsal | 1978 | ||
Fellini's Casanova | 1976 | ||
Amarcord | 1973 | ||
Roma | 1972 | ||
The Clowns | 1970 | TV Movie documentary | |
Fellini - Satyricon | 1969 | ||
NBC Experiment in Television | 1969 | TV Series 1 episode | |
Spirits of the Dead | 1968 | segment "Toby Dammit" | |
Toby Dammit | 1968 | Short | |
Juliet of the Spirits | 1965 | ||
8½ | 1963 | ||
Boccaccio '70 | 1962 | segment "Le tentazioni del dottor Antonio" | |
La Dolce Vita | 1960 | ||
The Nights of Cabiria | 1957 | ||
Il Bidone | 1955 | ||
La Strada | 1954 | ||
Love in the City | 1953 | Documentary segment "Agenzia matrimoniale" | |
I Vitelloni | 1953 | ||
The White Sheik | 1952 | ||
Variety Lights | 1951 |
Assistant Director
Title | Year | Status | Character |
---|---|---|---|
Dov'è la libertà...? | 1954 | second unit director - uncredited | |
Senza pietà | 1948 | associate director | |
L'amore | 1948 | assistant director - segment "Miracolo, Il" | |
Paisan | 1946 | assistant director - uncredited | |
Roma città aperta | 1945 | assistant director - uncredited |
Actor
Title | Year | Status | Character |
---|---|---|---|
The Ways of Love | 1950 | The Stranger | |
L'amore | 1948 | Il vagabondo (segment "Il miracolo") (uncredited) |
Art Department
Title | Year | Status | Character |
---|---|---|---|
Fellini's Casanova | 1976 | scenography |
Costume Designer
Title | Year | Status | Character |
---|---|---|---|
Fellini's Casanova | 1976 | uncredited |
Producer
Title | Year | Status | Character |
---|---|---|---|
Variety Lights | 1951 | associate producer - as Fellini |
Miscellaneous
Title | Year | Status | Character |
---|---|---|---|
La tivù di Fellini | 2003 | Short director: archive footage |
Thanks
Title | Year | Status | Character |
---|---|---|---|
A La Dolce Vita | 2017 | Short the director wishes to thank | |
Anthony-Cédric Vuagniaux: '69 (La bobine magique) | 2011 | Short dedicated to | |
Oi'Clowns - Een Hommage aan Federico Fellini | 2010 | Short very special thanks | |
Omaggio a Roma | 2009 | Short grateful thanks | |
Chacun son cinéma ou Ce petit coup au coeur quand la lumière s'éteint et que le film commence | 2007 | dedicatee: opening credits | |
Marcello, una vita dolce | 2006 | Documentary acknowledgment | |
Tiempos mejores | 1994 | in memoriam | |
Somebody to Love | 1994 | in memory of - as Federico | |
We All Loved Each Other So Much | 1974 | thanks |
Self
Title | Year | Status | Character |
---|---|---|---|
Roma | 1972 | Himself (uncredited) | |
Io e... | 1972 | TV Series documentary | Himself |
Festival international de Cannes | 1971 | TV Series | Himself |
Alex in Wonderland | 1970 | Himself | |
Ciao, Federico! | 1970 | Documentary | Himself |
The Clowns | 1970 | TV Movie documentary | Himself |
The 42nd Annual Academy Awards | 1970 | TV Special | Himself - Commenting on New Freedom and Trends in Film: Pre-Recorded |
The David Frost Show | 1970 | TV Series | Himself |
The Dick Cavett Show | 1970 | TV Series | Himself |
NBC Experiment in Television | 1969 | TV Series | Himself |
New Release | 1966 | TV Series | Himself |
The Merv Griffin Show | 1965 | TV Series | Himself |
Zoom su Federico Fellini | 1965 | Documentary | Himself |
Antonioni: Documents and Testimonials | 1965 | TV Movie documentary | Himself (uncredited) |
The 36th Annual Academy Awards | 1964 | TV Special | Himself - Best Foreign Film Winner |
Cinépanorama | 1960 | TV Series documentary | Himself |
Fellini | 1960 | TV Series | Himself |
Reflets de Cannes | 1955 | TV Series documentary | Himself |
The 65th Annual Academy Awards | 1993 | TV Special | Himself - Honorary Award Recipient |
Anthony Quinn: An Original | 1990 | TV Movie documentary | Himself |
Intervista | 1987 | Himself (uncredited) | |
Bellissimo: Immagini del cinema italiano | 1985 | Documentary | Himself |
Biennale del cinema di Venezia - Serata finale | 1985 | TV Movie | Himself |
Étoiles et toiles | 1985 | TV Series documentary | Himself |
Buñuel | 1984 | Documentary | Himself |
Il tassinaro | 1983 | Himself | |
Zoom su Fellini | 1983 | TV Series documentary | Himself (segment "Fellini nel cestino") |
Mémoire: Federico Fellini | 1982 | TV Movie documentary | Himself |
The Dick Cavett Show | 1981 | TV Series | Himself |
Appunti su 'La città delle donne' | 1980 | TV Movie documentary | Himself |
My Name Is Anna Magnani | 1980 | Documentary | Himself |
Billy Baxter Presents Diary of the Cannes Film Festival with Rex Reed | 1980 | TV Movie documentary | Himself |
La nuit des Césars | 1977 | TV Series documentary | Himself |
E il Casanova di Fellini? | 1975 | TV Movie documentary | Himself |
Apropos Film | 1975 | TV Series documentary | Himself |
We All Loved Each Other So Much | 1974 | Himself | |
Diario segreto di Amarcord | 1974 | TV Short documentary | Himself |
Film Night | 1972 | TV Series | Himself |
Le grand échiquier | 1972 | TV Series | Himself |
Archive Footage
Title | Year | Status | Character |
---|---|---|---|
L'Imperatore di Carta | 2015 | Documentary | Himself |
The End of a Great Era | 2015 | Himself (uncredited) | |
Donne nel mito: Sophia racconta la Loren | 2014 | Documentary short | Himself |
Duels | 2014 | TV Series documentary | Himself |
And the Oscar Goes To... | 2014 | TV Movie documentary | Himself |
Walt Disney e l'Italia - Una storia d'amore | 2014 | Documentary | Himself |
Che strano chiamarsi Federico | 2013 | Himself (uncredited) | |
Lino Miccichè, mio padre - Una visione del mondo | 2013 | Documentary | Himself |
Dai nostri inviati: La Rai racconta la Mostra del cinema di Venezia 1980-1989 | 2013 | TV Movie documentary | Himself |
Sur les traces de Fellini | 2013 | Documentary | Himself |
Viva la libertà | 2013 | Himself (uncredited) | |
Giovanna Cau - Diversamente giovane | 2011 | Documentary | Himself |
Hollywood Invasion | 2011 | Documentary | Himself |
Dai nostri inviati: La Rai racconta la Mostra del cinema 1968-1979 | 2011 | TV Movie documentary | Himself |
Fellini's Circus | 2011 | Video documentary short | Himself |
1960 | 2010 | Documentary | Himself |
Pupi Avati, ieri, oggi, domani | 2010 | ||
Gilles Jacob: CIitizen Cannes | 2010 | TV Movie documentary | Himself |
Il était une fois... | 2006-2009 | TV Series documentary | Himself |
Hollywood sul Tevere | 2009 | Documentary | Himself |
Di me cosa ne sai | 2009 | Documentary | Himself |
Vittorio D. | 2009 | Documentary | Himself |
Memòries de la tele | 2009 | TV Series | Himself |
Fellini's Homecoming | 2006 | Documentary | Himself |
Marcello, una vita dolce | 2006 | Documentary | Himself |
Un écran nommé désir | 2006 | TV Movie documentary | Himself |
Verso la luna con Fellini | 2006 | Documentary | Himself |
Cinema mil | 2005 | TV Series | Himself |
Cineastas contra magnates | 2005 | Documentary | Himself |
Cinecittà: La casa di F. Fellini | 2004 | Video short | Himself / Voice |
'Duel': A Conversation with Director Steven Spielberg | 2004 | Video documentary short | Himself |
Épreuves d'artistes | 2004 | TV Movie documentary | Himself |
L'ultima sequenza | 2003 | Documentary | Himself |
Cinecittà: Dream Factory | 2002 | Documentary | Himself |
Fellini: I'm a Born Liar | 2002 | Documentary | Himself |
The Magic of Fellini | 2002 | TV Movie documentary | Himself |
Roberto Rossellini: Frammenti e battute | 2000 | Documentary | Himself |
Federico Fellini - un autoritratto ritrovato | 2000 | Documentary | Himself |
Un amico magico: il maestro Nino Rota | 1999 | Documentary | Himself |
François Chalais, la vie comme un roman | 1997 | TV Movie documentary | Himself |
The 66th Annual Academy Awards | 1994 | TV Special | Himself - Memorial Tribute |
Zwischen Kino und Konzert - Der Komponist Nino Rota | 1993 | Documentary | Himself |
Notre Dame de la Croisette | 1981 | Documentary | Himself (uncredited) |
Awards
Won Awards
Year | Award | Ceremony | Nomination | Movie |
---|---|---|---|---|
2004 | OFTA Film Hall of Fame | Online Film & Television Association | Creative | |
1993 | Honorary Award | Academy Awards, USA | In recognition of his cinematic accomplishments that have thrilled and entertained worldwide ... More | |
1989 | Lifetime Achievement Award | European Film Awards | ||
1988 | Golden Globe | Golden Globes, Italy | Best Film (Miglior Film) | Intervista (1987) |
1987 | Academy Fellowship | BAFTA Awards | ||
1987 | 40th Anniversary Prize | Cannes Film Festival | Intervista (1987) | |
1987 | Nocciola d'Oro | Giffoni Film Festival | ||
1987 | Golden Prize | Moscow International Film Festival | Intervista (1987) | |
1986 | René Clair Award | David di Donatello Awards | Ginger e Fred (1986) | |
1986 | Golden Medal of the City of Rome | David di Donatello Awards | ||
1986 | Golden Jubilee Special Award | Directors Guild of America, USA | ||
1986 | Golden Globe | Golden Globes, Italy | Best Film (Miglior Film) | Ginger e Fred (1986) |
1986 | Sant Jordi | Sant Jordi Awards | Best Foreign Film (Mejor Película Extranjera) | E la nave va (1983) |
1985 | Gala Tribute | Film Society of Lincoln Center | ||
1985 | Career Golden Lion | Venice Film Festival | For his career achievements. | |
1984 | David | David di Donatello Awards | Best Screenplay (Migliore Sceneggiatura) | E la nave va (1983) |
1984 | Luchino Visconti Award | David di Donatello Awards | ||
1984 | Golden Globe | Golden Globes, Italy | Best Film (Miglior Film) | E la nave va (1983) |
1984 | Silver Ribbon | Italian National Syndicate of Film Journalists | Best Director (Regista del Miglior Film) | E la nave va (1983) |
1980 | Golden Goblet | Golden Goblets, Italy | Best Director (Migliore Regista) | La città delle donne (1980) |
1980 | Silver Ribbon | Italian National Syndicate of Film Journalists | Best Director (Regista del Miglior Film) | La città delle donne (1980) |
1978 | BAFTA Film Award | BAFTA Awards | Best Production Design/Art Direction | Il Casanova di Federico Fellini (1976) |
1976 | Critics Award | SESC Film Festival, Brazil | Best Foreign Film (Melhor Filme Estrangeiro) | Amarcord (1973) |
1975 | Bodil | Bodil Awards | Best European Film (Bedste europæiske film) | Amarcord (1973) |
1975 | Critics Award | French Syndicate of Cinema Critics | Best Foreign Film | Amarcord (1973) |
1975 | Golden Globe | Golden Globes, Italy | Best Film (Miglior Film) | Amarcord (1973) |
1975 | Kinema Junpo Award | Kinema Junpo Awards | Best Foreign Language Film Director | Amarcord (1973) |
1974 | David | David di Donatello Awards | Best Director (Migliore Regia) | Amarcord (1973) |
1974 | Golden Goblet | Golden Goblets, Italy | Best Director (Migliore Regista) | Amarcord (1973) |
1974 | Silver Ribbon | Italian National Syndicate of Film Journalists | Best Original Story (Migliore Soggetto) | Amarcord (1973) |
1974 | Silver Ribbon | Italian National Syndicate of Film Journalists | Best Director (Regista del Miglior Film) | Amarcord (1973) |
1974 | Silver Ribbon | Italian National Syndicate of Film Journalists | Best Screenplay (Migliore Sceneggiatura) | Amarcord (1973) |
1974 | NYFCC Award | New York Film Critics Circle Awards | Best Director | Amarcord (1973) |
1973 | Critics Award | French Syndicate of Cinema Critics | Best Foreign Film | Roma (1972) |
1972 | Technical Grand Prize | Cannes Film Festival | Roma (1972) | |
1970 | Pasinetti Award | Venice Film Festival | Best Italian Film | I clowns (1970) |
1969 | Pasinetti Award | Venice Film Festival | Best Italian Film | Fellini - Satyricon (1969) |
1967 | Sant Jordi | Sant Jordi Awards | Best Foreign Film (Mejor Película Extranjera) | Giulietta degli spiriti (1965) |
1966 | KCFCC Award | Kansas City Film Critics Circle Awards | Best Director | Giulietta degli spiriti (1965) |
1966 | Kinema Junpo Award | Kinema Junpo Awards | Best Foreign Language Film | 8½ (1963) |
1966 | Kinema Junpo Award | Kinema Junpo Awards | Best Foreign Language Film Director | 8½ (1963) |
1964 | Bodil | Bodil Awards | Best European Film (Bedste europæiske film) | 8½ (1963) |
1964 | Silver Ribbon | Italian National Syndicate of Film Journalists | Best Director (Regista del Miglior Film) | 8½ (1963) |
1964 | Silver Ribbon | Italian National Syndicate of Film Journalists | Best Screenplay (Migliore Sceneggiatura) | 8½ (1963) |
1964 | Silver Ribbon | Italian National Syndicate of Film Journalists | Best Original Story (Migliore Soggetto) | 8½ (1963) |
1963 | Golden Goblet | Golden Goblets, Italy | Best Director (Migliore Regista) | 8½ (1963) |
1963 | Grand Prix | Moscow International Film Festival | 8½ (1963) | |
1961 | Silver Ribbon | Italian National Syndicate of Film Journalists | Best Original Story (Migliore Soggetto) | La dolce vita (1960) |
1960 | Palme d'Or | Cannes Film Festival | La dolce vita (1960) | |
1960 | David | David di Donatello Awards | Best Director (Migliore Regista) | La dolce vita (1960) |
1960 | Golden Goblet | Golden Goblets, Italy | Best Director (Migliore Regista) | La dolce vita (1960) |
1959 | Sant Jordi | Sant Jordi Awards | Best Foreign Film (Mejor Película Extranjera) | Le notti di Cabiria (1957) |
1959 | Sant Jordi | Sant Jordi Awards | Best Foreign Director | Le notti di Cabiria (1957) |
1958 | Blue Ribbon Award | Blue Ribbon Awards | Best Foreign Language Film | La strada (1954) |
1958 | Silver Ribbon | Italian National Syndicate of Film Journalists | Best Director (Migliore Regia) | Le notti di Cabiria (1957) |
1958 | Kinema Junpo Award | Kinema Junpo Awards | Best Foreign Language Film | La strada (1954) |
1957 | OCIC Award - Special Mention | Cannes Film Festival | Le notti di Cabiria (1957) | |
1957 | David | David di Donatello Awards | Best Director (Migliore Regista) | Le notti di Cabiria (1957) |
1956 | Bodil | Bodil Awards | Best European Film (Bedste europæiske film) | La strada (1954) |
1955 | Silver Ribbon | Italian National Syndicate of Film Journalists | Best Director (Migliore Regia) | La strada (1954) |
1955 | Silver Ribbon | Italian National Syndicate of Film Journalists | Best Story/Screenplay (Migliore Scenario) | La strada (1954) |
1954 | Silver Ribbon | Italian National Syndicate of Film Journalists | Best Director (Migliore Regia) | I vitelloni (1953) |
1954 | Silver Lion | Venice Film Festival | La strada (1954) | |
1954 | OCIC Award - Honorable Mention | Venice Film Festival | La strada (1954) | |
1953 | Silver Lion | Venice Film Festival | I vitelloni (1953) | |
1952 | Challenge Award | German Film Awards | Outstanding Feature Film Promoting Democratic Values | Il cammino della speranza (1950) |
Nominated Awards
Year | Award | Ceremony | Nomination | Movie |
---|---|---|---|---|
1990 | David | David di Donatello Awards | Best Director (Migliore Regista) | La voce della luna (1990) |
1988 | César | César Awards, France | Best Foreign Film (Meilleur film étranger) | Intervista (1987) |
1988 | David | David di Donatello Awards | Best Director (Migliore Regista) | Intervista (1987) |
1988 | Silver Ribbon | Italian National Syndicate of Film Journalists | Best Director (Regista del Miglior Film) | Intervista (1987) |
1988 | Silver Ribbon | Italian National Syndicate of Film Journalists | Best Original Story (Migliore Soggetto) | Intervista (1987) |
1987 | BAFTA Film Award | BAFTA Awards | Best Foreign Language Film | Ginger e Fred (1986) |
1986 | David | David di Donatello Awards | Best Director (Migliore Regista) | Ginger e Fred (1986) |
1986 | David | David di Donatello Awards | Best Screenplay (Migliore Sceneggiatura) | Ginger e Fred (1986) |
1986 | Silver Ribbon | Italian National Syndicate of Film Journalists | Best Director (Regista del Miglior Film) | Ginger e Fred (1986) |
1984 | David | David di Donatello Awards | Best Director (Migliore Regista) | E la nave va (1983) |
1978 | Gold Hugo | Chicago International Film Festival | Best Feature | Prova d'orchestra (1978) |
1977 | Oscar | Academy Awards, USA | Best Writing, Screenplay Based on Material from Another Medium | Il Casanova di Federico Fellini (1976) |
1977 | Silver Ribbon | Italian National Syndicate of Film Journalists | Best Screenplay (Migliore Sceneggiatura) | Il Casanova di Federico Fellini (1976) |
1976 | Oscar | Academy Awards, USA | Best Director | Amarcord (1973) |
1976 | Oscar | Academy Awards, USA | Best Writing, Original Screenplay | Amarcord (1973) |
1971 | Oscar | Academy Awards, USA | Best Director | Fellini - Satyricon (1969) |
1971 | Golden Laurel | Laurel Awards | Best Director | 7th place. |
1970 | Silver Ribbon | Italian National Syndicate of Film Journalists | Best Director (Regista del Miglior Film) | Fellini - Satyricon (1969) |
1966 | Silver Ribbon | Italian National Syndicate of Film Journalists | Best Director (Regista del Miglior Film) | Giulietta degli spiriti (1965) |
1964 | Oscar | Academy Awards, USA | Best Director | 8½ (1963) |
1964 | Oscar | Academy Awards, USA | Best Writing, Story and Screenplay - Written Directly for the Screen | 8½ (1963) |
1964 | DGA Award | Directors Guild of America, USA | Outstanding Directorial Achievement in Motion Pictures | 8½ (1963) |
1962 | Oscar | Academy Awards, USA | Best Director | La dolce vita (1960) |
1962 | Oscar | Academy Awards, USA | Best Writing, Story and Screenplay - Written Directly for the Screen | La dolce vita (1960) |
1961 | BAFTA Film Award | BAFTA Awards | Best Film from any Source | La dolce vita (1960) |
1961 | Silver Ribbon | Italian National Syndicate of Film Journalists | Best Director (Regista del Miglior Film) | La dolce vita (1960) |
1961 | Silver Ribbon | Italian National Syndicate of Film Journalists | Best Screenplay (Migliore Sceneggiatura) | La dolce vita (1960) |
1958 | Oscar | Academy Awards, USA | Best Writing, Story and Screenplay - Written Directly for the Screen | I vitelloni (1953) |
1958 | Silver Ribbon | Italian National Syndicate of Film Journalists | Best Story/Screenplay (Migliore Scenario) | Le notti di Cabiria (1957) |
1957 | Oscar | Academy Awards, USA | Best Writing, Best Screenplay - Original | La strada (1954) |
1957 | Palme d'Or | Cannes Film Festival | Le notti di Cabiria (1957) | |
1955 | Golden Lion | Venice Film Festival | Il bidone (1955) | |
1954 | Golden Lion | Venice Film Festival | La strada (1954) | |
1953 | Golden Lion | Venice Film Festival | I vitelloni (1953) | |
1952 | Golden Lion | Venice Film Festival | Lo sceicco bianco (1952) | |
1950 | Oscar | Academy Awards, USA | Best Writing, Story and Screenplay | Paisà (1946) |
1947 | Oscar | Academy Awards, USA | Best Writing, Screenplay | Roma città aperta (1945) |
2nd Place Awards
Year | Award | Ceremony | Nomination | Movie |
---|---|---|---|---|
1970 | NYFCC Award | New York Film Critics Circle Awards | Best Director | Fellini - Satyricon (1969) |