Details About Ingmar Bergman: Salary, Age, Measurements, Ethnicity

Known for movies

Short Info

Died	July 30, 2007, Fårö, Sweden
Spouse	Ingrid von Rosen, Käbi Laretei, Gun Grut, Ellen Bergman, Else Fisher
Mark	Frequently has a character surnamed "Jacobi"
Fact	Swedish Film Institute announced Bergman will donate his raw footage, photographs and manuscripts from his films and plays to a new foundation established to honor him. (5 June 2002)

Ingmar Bergman was a Swedish director, producer, writer, and actor. He is considered to be one of the most influential and greatest filmmakers of all time. His films often dealt with death, illness, faith, betrayal, and insanity. Bergman directed over 60 films and documentaries for television. His films include The Seventh Seal, Wild Strawberries, The Silence, Persona, and Fanny and Alexander.

Bergman was born on July 14, 1918, in Uppsala, Sweden. His father, Erik Bergman, was a Lutheran minister and his mother, Karin Bergman, was a nurse. He had two sisters, Margareta and Ing-Marie. Bergman’s father died when he was two years old and his mother when he was thirteen. This had a profound effect on Bergman and his view of life and death.

Bergman attended Lund University where he studied literature, history, religion, and art. He began working in the Swedish film industry in 1941. Bergman’s first film was Crisis, a short documentary about the Swedish artist Richard Bergh. Bergman’s first feature film was Port of Call.

Bergman’s films often dealt with dark subjects such as death, illness, betrayal, and insanity. He is considered to be one of the greatest filmmakers of all time. Bergman won the Academy Award for Best Foreign Language Film three times: for The Virgin Spring in 1960, for Through a Glass Darkly in 1961, and for Fanny and Alexander in 1982. He was also nominated for the Academy Award for Best Director four times: for The Virgin Spring in 1960, for Persona in 1966, for Cries and Whispers in 1972, and for Fanny and Alexander in 1982. Bergman was awarded the Irving G. Thalberg Memorial Award in 1974.

Bergman married five times and had nine children. His first wife was Ellen Lundström with whom he had two daughters: Eva Bergman and Anne-Lie Bergman. His second wife was Ingrid von Rosen with whom he had a son: Jan Bergman. His third wife was Gun Grut with whom he had a son: Daniel Bergman. His fourth wife was Liv Ullmann with whom he had a daughter: Linn Ullmann. His fifth and final wife was Ingrid Karlebo with whom he had two sons: Ingmar Bergman Jr. and Mats Bergman.

Bergman died on July 30, 2007, at the age of 89.

General Info

Full Name	Ingmar Bergman
Died	July 30, 2007, Fårö, Sweden
Height	1.79 m
Profession	Film director, Actor, Cinematographer, Screenwriter, Film producer, Theatre Director, Television Director, Television producer
Education	Stockholm University
Nationality	Swedish

Family

Spouse	Ingrid von Rosen, Käbi Laretei, Gun Grut, Ellen Bergman, Else Fisher
Children	Linn Ullmann, Mats Bergman, Eva Bergman, Daniel Bergman, Anna Bergman, Maria von Rosen, Lena Bergman, Jan Bergman, Ingmar Bergman, Jr.
Parents	Erik Bergman, Karin Bergman
Siblings	Margareta Bergman, Dag Bergman

Accomplishments

Awards	Academy Award for Best Foreign Language Film, Palme d'Or, Golden Bear, Cannes Jury Prize, Cannes Best Director Award, César Award for Best Foreign Film, Irving G. Thalberg Memorial Award, Grand Jury Prize, Guldbagge Award for Best Director, Golden Lion for Lifetime Achievement, BAFTA Fellowship, Pr...
Nominations	Academy Award for Best Picture, Academy Award for Best Director, Academy Award for Best Original Screenplay, Golden Lion, BAFTA Award for Best Film, Golden Globe Award for Best Director - Motion Picture, BAFTA Award for Best Foreign Language Film, Nordic Council's Literature Prize, Directors Guild o...
Movies	Persona, The Seventh Seal, Wild Strawberries, Fanny and Alexander, Cries and Whispers, Through a Glass Darkly, The Silence, Autumn Sonata, Winter Light, The Virgin Spring, Smiles of a Summer Night, Hour of the Wolf, The Magician, Scenes from a Marriage, The Passion of Anna, Summer with Monika, Sawdu...

Social profile links

IMDB	http://imdb.com/name/nm0000005

Marks

#	Marks / Signs
1	Two characters having an intense and emotional - sometimes heated - conversation while barely looking at each other.
2	Frequently has a character surnamed "Jacobi"
3	Most of his films are around 90 minutes long
4	Religious themes
5	Frequently casted Gunnar Björnstrand (23 films), Erland Josephson (14 films), Max von Sydow (13 films), Bibi Andersson (13 films), Liv Ullmann (10 films) and Ingrid Thulin (10 films).
6	Dynamic use of shadows
7	Close-ups of ticking clocks
8	Close-ups of faces

Quotes

#	Quote
1	My professor told me when I started in the '40s that a director should listen and keep his mouth shut. Took me a long time to understand I talked too much. Now I know you should listen with your ears - and your heart.
2	Directing is more fun with women. Everything is.
3	[Interviewed for Sommar on Swedish Radio P1 in 2004] I have asked prominent composers. I have asked prominent musicians. Several conductors. Where does the music come from? What, how can it be that we are the only animals, on the entire globe of the earth that makes music? And why do we do it and how has it come to be? That is something I really would like to know because none of these people I have asked has been able to give any answer to "where does the music come from?" "Why do we have music?" Personally I have an impression, that the music is a thing we have been given as a gift. I am not a believer but I do still believe that the music is a gift, so that we might have an impression of realities and worlds beyond the world we live in.
4	Working in this medium and being a man of the theater, I'm like the common whore. I have an enormous need for people to like me and what I'm doing. That it be accepted and praised and so forth. It's always painful to be disapproved of.
5	Fellini, Kurosawa and Buñuel move in the same fields as Tarkovsky. Antonioni was on his way, but expired, suffocated by his own tediousness.
6	[on Akira Kurosawa] Now I want to make it plain that The Virgin Spring (1960) must be regarded as an aberration. It's touristic, a lousy imitation of Kurosawa.
7	[on Andrei Tarkovsky]: My discovery of Tarkovsky's first film was like a miracle. Suddenly I found myself standing at the door of a room, the key to which, until then, had never been given to me. It was a room I had always wanted to enter and where he was moving freely and fully at ease. I felt encouraged and stimulated: someone was expressing what I had always wanted to say without knowing how. Tarkovsky is for me the greatest, the one who invented a new language, true to the nature of film, as it captures life as a reflection, life as a dream.
8	To shoot a film is to organize an entire universe.
9	New cities arouse too many sensations in me. They give me too many impressions to experience at the same time. They all crowd in on me. Being in a new city overwhelms me, unsettles me.
10	I've had to learn everything about movies by myself. For the theater, I studied with a wonderful old man in Goteborg, where I spent four years. He was a hard, difficult man, but he knew the theater- and I learned from him. For the movies, however, there was no one. Before the War, I was a schoolboy. Then, during the War, we got see no foreign films at all. By the time it was over, I was working had to support a wife and three children. Before, fortunately, I am by nature an autodidact, one who can teach himself- though it's an uncomfortable thing at times. Self-taught people sometimes cling too much to the technical side, the sure side and place technical perfection too high.
11	I'd prostitute my talents if it would further my cause, steal if there was no way out, killing my friends or anyone else if it would help my art.
12	When I was young, I was extremely scared of dying. But now I think it a very, very wise arrangement. It's like a light that is extinguished. Not very much to make a fuss about.
13	[on Alfred Hitchcock] I think he's a very good technician. And he has something in Psycho (1960), he had some moments. "Psycho" is one of his most interesting pictures because he had to make the picture very fast, with very primitive means. He had little money, and this picture tells very much about him. Not very good things. He is completely infantile, and I would like to know more - no, I don't want to know - about his behavior with, or, rather, against women. But this picture is very interesting.
14	[on Federico Fellini] He is enormously intuitive. He is intuitive; he is creative; he is an enormous force. He is burning inside with such heat. Collapsing. Do you understand what I mean? The heat from his creative mind, it melts him. He suffers from it; he suffers physically from it. One day when he can manage this heat and can set it free, I think he will make pictures you have never seen in your life. He is rich. As every real artist, he will go back to his sources one day. He will find his way back.
15	[on Andrei Tarkovsky]: When film is not a document, it is dream. That is why Tarkovsky is the greatest of them all. He moves with such naturalness in the room of dreams. He doesn't explain. What should he explain anyhow? He is a spectator, capable of staging his visions in the most unwieldy but, in a way, the most willing of media. All my life I have hammered on the doors of the rooms in which he moves so naturally. Only a few times have I managed to creep inside. Most of my conscious efforts have ended in embarrassing failure- The Serpent's Egg (1977), The Touch (1971), Face to Face (1976) and so on.
16	I'm deeply fixated on my childhood. Some impressions are extremely vivid, light, smell, and all. There are moments when I can wander through my childhood's landscape, through rooms long ago, remember how they were furnished, where the pictures hung on the walls, the way the light fell. It's like a film-little scraps of a film, which I set running and which I can reconstruct to the last detail-except their smell.
17	My basic view of things is - not to have any basic view of things. From having been exceedingly dogmatic, my views on life have gradually dissolved. They don't exist any longer.
18	Everything is worth precisely as much as a belch, the difference being that a belch is more satisfying.
19	Film as dream, film as music. No art passes our conscience in the way film does, and goes directly to our feelings, deep down into the dark rooms of our souls.
20	I think I have made just one picture that I really like, and that is Nattvardsgästerna (1963). Everything is exactly as I wanted to have it, in every second of this picture.
21	I write scripts to serve as skeletons awaiting the flesh and sinew of images.
22	[on Michelangelo Antonioni] He's done two masterpieces, you don't have to bother with the rest. One is Blow-Up (1966), which I've seen many times, and the other is La Notte (1961), also a wonderful film, although that's mostly because of the young Jeanne Moreau. In my collection I have a copy of Il Grido (1957) and damn what a boring movie it is. So devilishly sad, I mean. You know, Antonioni never really learned the trade. He concentrated on single images, never realizing that film is a rhythmic flow of images, a movement. Sure, there are brilliant moments in his films. But I don't feel anything for L'Avventura (1960), for example. Only indifference. I never understood why Antonioni was so incredibly applauded. And I thought his muse Monica Vitti was a terrible actress."
23	Among today's directors I'm of course impressed by Steven Spielberg and Scorsese [Martin Scorsese], and Coppola [Francis Ford Coppola], even if he seems to have ceased making films, and Steven Soderbergh - they all have something to say, they're passionate, they have an idealistic attitude to the filmmaking process. Soderbergh's Traffic (2000) is amazing. Another great couple of examples of the strength of American cinema is American Beauty (1999) and Magnolia (1999).
24	[on Jean-Luc Godard] I've never gotten anything out of his movies. They have felt constructed, faux intellectual and completely dead. Cinematographically uninteresting and infinitely boring. Godard is a fucking bore. He's made his films for the critics. One of the movies, Masculin Féminin (1966), was shot here in Sweden. It was mind-numbingly boring.
25	[on Orson Welles] I've never liked Welles as an actor, because he's not really an actor. In Hollywood you have two categories, you talk about actors and personalities. Welles was an enormous personality, but when he plays Othello, everything goes down the drain, you see, that's when he croaks. In my eyes he's an infinitely overrated filmmaker.
26	[on Orson Welles] For me he's just a hoax. It's empty. It's not interesting. It's dead. Citizen Kane (1941), which I have a copy of, is all the critics' darling, always at the top of every poll taken, but I think it's a total bore. Above all, the performances are worthless. The amount of respect that movie's got is absolutely unbelievable.
27	In a quarrel with one of my sons, I said, "I know I've been a lousy father". He said, "A father? You haven't been a father at all!"
28	I hope I never get old so I get religious.
29	No form of art goes beyond ordinary consciousness as film does, straight to our emotions, deep into the twilight room of the soul.
30	The theater is like a faithful wife. The film is the great adventure -- the costly, exacting mistress.

Facts

#	Fact
1	He was approached by Italian television in the seventies, about making a TV-movie based on the life of Jesus Christ. He wrote a synopsis and planned on filming the entire movie in the Swedish province Gotland (for example, the rocky beaches of Langhammars on the island of Fårö were to serve as Golgatha). Eventually, Franco Zeffirelli was commissioned to helm the project, which became Jesus of Nazareth (1977).
2	One of favorite filmmakers of Andrei Tarkovsky, Francis Ford Coppola, Guillermo del Toro, Woody Allen, and Stanley Kubrick.
3	Died on the same day as Michelangelo Antonioni.
4	Recovering from hip replacement surgery. [January 2007]
5	Has now retired from directing, emptied his apartment in Stockholm and his room at the Dramatic Theater, and lives permanently at Fårö, Gotland (Sweden). [May 2004]
6	Like his fellow World Cinema masters, Akira Kurosawa (who started in the Japanese art world) and Federico Fellini (who started in journalism) he came to cinema via circumvention after working as a theater director.
7	Is going to appear in the new 200 Kronors banknote in 2015.
8	Often directed plays for the radio.
9	He was an admirer of the films of 'Francois Truffaut' and Jean-Pierre Melville.
10	He said his favorite Hollywood director was Billy Wilder.
11	Fluently spoke Swedish, French and English.
12	Directed 2 actresses to Oscar nominations: Liv Ullmann (Best Actress, Face to Face (1976)) and Ingrid Bergman (Best Actress, Autumn Sonata (1978)).
13	The Swedish film industry ground to a halt in 1951 due to a ten-month strike by studio personnel, intended as a protest against an "amusement tax" levied against motion picture producers. During this period he directed several TV commercials for a soap called Bris (i.e. Breeze). He later said he was "absurdly grateful" to get this job.
14	10 of his films are listed in the 5th edition of 1001 Movies You Must See Before You Die (edited by Steven Jay Schneider). He is the third best represented director (behind Alfred Hitchcock and Howard Hawks) and has the greatest number of writing credits on that list of any screenwriter. On the list are the films Smiles of a Summer Night (1955), The Seventh Seal (1957), Wild Strawberries (1957), Through a Glass Darkly (1961), Nattvardsgästerna (1963), Persona (1966), Hour of the Wolf (1968), Shame (1968), Cries & Whispers (1972) and Fanny and Alexander (1982).
15	Considered Persona (1966) and Cries & Whispers (1972) his best movies.
16	Profiled in "Films and Dreams: Tarkovsky, Bergman, Sokurov, Kubrick and Wong Kar-Wei" by Thurston Botz-Borsnstein. Lanham, MD: Scarecrow Press, 2008.
17	Among his fellow directors, he listed the three most significant to him as Federico Fellini, Victor Sjöström and Akira Kurosawa.
18	Erland Josephson appeared in 14 Bergman films as an actor in a span of almost 60 years (1946-2004): Det regnar på vår kärlek (1946) ("It Rains on Our Love" (1946)), Till glädje (1950) ("To Joy" (1950)), The Magician (1958) ("The Magician" (1959)), Brink of Life (1958) ("Brink of Life" (1959)), Hour of the Wolf (1968) ("Hour of the Wolf" (1968)), The Passion of Anna (1969) ("The Passion of Anna" (1970)), Cries & Whispers (1972) ("Cries and Whispers" (1972)), Scenes from a Marriage (1973) ("Scenes from a Marriage" (1974)), The Magic Flute (1975) ("The Magic Flute" (1975)), Face to Face (1976) ("Face to Face (1976)), Autumn Sonata (1978) ("Autumn Sonata" (1978)), Fanny and Alexander (1982), After the Rehearsal (1984) ("After the Rehearsal" (1984)), Larmar och gör sig till (1997) ("In the Presence of a Clown" (1997)), and Saraband (2003). In addition to acting in Bergman's films, Josephson also co-wrote Bergman's All These Women (1964) ("All These Women (1964)), one of Bergman's rare comedies (and his first film shot in color).
19	Was romantically linked to Harriet Andersson from 1952 to 1955 and Bibi Andersson from 1955 to 1959.
20	Born to Erik Bergman, a Lutheran minister who later became the chaplain to the King of Sweden, and his wife Karen Åkerblom.
21	Lived on the island of Fårö since the early 1960s, but moved to Munich, Germany for a while battling with the Swedish government over alleged tax evasion.
22	Is buried on the island of Fårö, where he had lived most of his life.
23	He and Liv Ullmann made 10 movies together: Face to Face (1976), Autumn Sonata (1978), The Passion of Anna (1969), Persona (1966), Saraband (2003), Scenes from a Marriage (1973), The Serpent's Egg (1977), Shame (1968), Hour of the Wolf (1968) and Cries & Whispers (1972).
24	His Top 11 films are (as presented at Goteborg Film Festival, Sweden in 1994): The Circus (1928), Port of Shadows (1938), The Conductor (1980), Kvarteret Korpen (1963), The Passion of Joan of Arc (1928). Körkarlen (1921), Rashômon (1950), La Strada (1954), Sunset Blvd. (1950), Marianne & Juliane (1981), Andrei Rublev (1966).
25	He and Bibi Andersson made 13 movies together: The Magician (1958), The Touch (1971), The Devil's Eye (1960), All These Women (1964), Brink of Life (1958), Herr Sleeman kommer (1957) (not released), The Passion of Anna (1969), Persona (1966), Scenes from a Marriage (1973), Rabies (1958), The Seventh Seal (1957), Wild Strawberries (1957) and Smiles of a Summer Night (1955).
26	He and Ingrid Thulin made 10 movies together: Ett drömspel (1963), The Magician (1958), After the Rehearsal (1984), Nattvardsgästerna (1963), Brink of Life (1958), Riten (1969), Wild Strawberries (1957), The Silence (1963), Hour of the Wolf (1968) and Cries & Whispers (1972).
27	His three favorite movies are: The Emigrants (1971), La Dolce Vita (1960) and Monsieur Hulot's Holiday (1953).
28	He and Max von Sydow made 13 movies together: The Magician (1958), The Touch (1971), Herr Sleeman kommer (1957) (not released), The Virgin Spring (1960), Nattvardsgästerna (1963), Brink of Life (1958), The Passion of Anna (1969), Rabies (1958), The Seventh Seal (1957), Shame (1968), Wild Strawberries (1957), Through a Glass Darkly (1961) and Hour of the Wolf (1968).
29	Was fluent in French.
30	His grandmother introduced Ingmar to the cinema and went with him to several shows when he was a little boy, always in secrecy since he wasn't allowed to go to the movies by his strict father.
31	After their daughter Maria had been born out of wedlock in 1959, he finally married Ingrid Bergman (Ingrid von Rosen) in 1971. This was his only marriage which didn't end in divorce.
32	Was chosen the world's greatest living filmmaker by "Time" magazine (11 July 2005).
33	Published "Tre dagböcker", including the diaries of him, his fifth wife Ingrid and their daughter Maria von Rosen (2004).
34	Among Woody Allen's biggest idols.
35	No relation to Ingrid Bergman, although he was married to another Ingrid, Ingrid Bergman.
36	Likes to watch BMX racing on television.
37	Father-in-law of Henning Mankell.
38	His movies The Virgin Spring (1960), Through a Glass Darkly (1961) and Fanny and Alexander (1982) were Oscar-nominated for "Best Foreign Language Film". All three movies won.
39	Inspired the word "Bergmanesque"
40	Has a daughter, Linn Ullmann, with actress Liv Ullmann. Linn, who played a child in several of her father's movies, became a literary critic, then novelist. Her debut novel, in 1999, was "Före du sover" (Before you fall asleep).
41	The rock band Van Halen wrote a song called "The Seventh Seal" (from the "Balance" album) in honor of his films. The song talks about The Seventh Seal (1957) and The Virgin Spring (1960).
42	He retired from filmmaking in 1984, and then in 2003, at the age of 85, he retired from directing plays.
43	Biography in: John Wakeman, editor. "World Film Directors, Volume Two, 1945- 1985". Pages 103-115. New York: The H.W. Wilson Company, 1988.
44	Was voted the 8th Greatest Film Director of all time by Entertainment Weekly,.
45	For many years, he and actor Erland Josephson have had an hour-long telephone conversation once a week, on Saturdays.
46	Swedish Film Institute announced Bergman will donate his raw footage, photographs and manuscripts from his films and plays to a new foundation established to honor him. (5 June 2002)
47	Father of nine children. They include director Daniel Bergman, (with Käbi Laretei), actress Anna Bergman, actor Mats Bergman, director Eva Bergman, director Jan Bergman, (with Ellen Bergman), actress Lena Bergman, (with Else Fisher), airline captain Ingmar Bergman Jr. (born 1951) (with Gun Hagberg), writer Linn Ullmann, (with Liv Ullmann), and writer Maria won Rosen (with Ingrid Bergman).
48	Had a dispute with the Swedish Royal Dramatic Theatre about his production of the play "Misantropen". Directed it for Swedish television instead. Ironically, the chief of Swedish Television's 'Dramatic Department' has become chief of the Royal Dramatic Theatre.

Pictures

All pictures

Movies

Writer

Title	Year	Status
Sixty-Four Minutes with Rebecka	2018	original screenplay pre-production
A Spiritual Matter	2015	TV Movie play: En Själslig Angelägenhet
Skines apo ena gamo	2006	TV Movie original scenario
Bergmanova sonata	2005	TV Movie play
Saraband	2003	TV Movie
Persona	2002	Video short
Trolösa	2000
Larmar och gör sig till	1997	TV Movie
Private Confessions	1996	TV Movie
Harald & Harald	1996	TV Short
Sista skriket	1995	TV Movie play / screenplay
Sunday's Children	1992
The Best Intentions	1992
The Best Intentions	1991	TV Mini-Series 4 episodes
Live from Lincoln Center	1990	TV Series by: was suggested by a film - 1 episode
Dokument Fanny och Alexander	1986	Documentary
After the Rehearsal	1984	TV Movie
Karins ansikte	1984	Documentary short
Fanny och Alexander	1983	TV Mini-Series
Fanny and Alexander	1982	written by
From the Life of the Marionettes	1980	TV Movie
The Making of Autumn Sonata	1978	Documentary
Autumn Sonata	1978	writer
The Serpent's Egg	1977
A Little Night Music	1977	suggested by: a film by "Sommarnattens leende"
De fördömda kvinnornas dans	1976	Short
Face to Face	1976
The Magic Flute	1975	TV Movie screenplay
Scener ur ett äktenskap	1974
Scenes from a Marriage	1973	TV Mini-Series 6 episodes
The Lie	1973	TV Movie
Cries & Whispers	1972
The Touch	1971	screenplay - uncredited
Play for Today	1970	TV Series writer - 1 episode
Reservatet	1970	TV Movie
Sliki na drvo	1970	TV Movie play
The Passion of Anna	1969	writer
Riten	1969	TV Movie
Shame	1968	writer
Hour of the Wolf	1968	writer
Stimulantia	1967	segment "Daniel"
Persona	1966	story and screenplay
All These Women	1964	written by
The Silence	1963	writer
Trämålning	1963	TV Movie
Nattvardsgästerna	1963	writer
Staden	1962	TV Movie play
Lustgården	1961	written by - as Buntel Ericsson
Through a Glass Darkly	1961
The Devil's Eye	1960	screenplay
The Magician	1958	writer
Brink of Life	1958	uncredited
Wild Strawberries	1957	written by
Nattens ljus	1957	uncredited
The Seventh Seal	1957	play "Trämålning" / screenplay
Sista paret ut	1956
Smiles of a Summer Night	1955
Kvinnodröm	1955
A Lesson in Love	1954
Sawdust and Tinsel	1953	uncredited
Summer with Monika	1953	uncredited
Kvinnors väntan	1952
Frånskild	1951
Summer Interlude	1951
Medan staden sover	1950	synopsis
Till glädje	1950
Prison	1949	writer
Eva	1948	screenplay / short story "Trumpetaren och Vår Herre"
Port of Call	1948	screenplay
A Ship Bound for India	1947
Kvinna utan ansikte	1947
Det regnar på vår kärlek	1946	screenplay
Crisis	1946	screenplay
Torment	1944

Director

Title	Year	Status
Persona	1966
Don Juan	1965	TV Mini-Series
All These Women	1964
The Silence	1963
Ett drömspel	1963	TV Movie
Nattvardsgästerna	1963
Through a Glass Darkly	1961
The Devil's Eye	1960
The Virgin Spring	1960
Oväder	1960	TV Movie
The Magician	1958
Rabies	1958	TV Movie
Brink of Life	1958
Venetianskan	1958	TV Movie
Wild Strawberries	1957
Herr Sleeman kommer	1957	TV Movie
The Seventh Seal	1957
Bakomfilm Smultronstället	1957	Documentary short
Smiles of a Summer Night	1955
Kvinnodröm	1955
A Lesson in Love	1954
Sawdust and Tinsel	1953
Summer with Monika	1953
Kvinnors väntan	1952
Summer Interlude	1951
Sånt händer inte här	1950
Till glädje	1950
Thirst	1949
Prison	1949
Port of Call	1948
Music in Darkness	1948
A Ship Bound for India	1947
Det regnar på vår kärlek	1946
Crisis	1946
On Set Home Movies	2008	Video documentary short
Spöksonaten	2007	TV Movie stage director
Saraband	2003	TV Movie
Bildmakarna	2000	TV Movie
Larmar och gör sig till	1997	TV Movie
Harald & Harald	1996	TV Short
Sista skriket	1995	TV Movie
Backanterna	1993	TV Movie
Markisinnan de Sade	1992	TV Movie
Dokument Fanny och Alexander	1986	Documentary
De två saliga	1986	TV Movie
Dom Juan	1985	TV Movie
After the Rehearsal	1984	TV Movie
Karins ansikte	1984	Documentary short
Hustruskolan	1983	TV Movie tv director
Fanny och Alexander	1983	TV Mini-Series
Fanny and Alexander	1982
From the Life of the Marionettes	1980	TV Movie
Fårö-dokument 1979	1979	TV Movie documentary
The Making of Autumn Sonata	1978	Documentary
Autumn Sonata	1978
The Serpent's Egg	1977
De fördömda kvinnornas dans	1976	Short
Face to Face	1976
The Magic Flute	1975	TV Movie uncredited
Scener ur ett äktenskap	1974
Misantropen	1974	TV Movie
Scenes from a Marriage	1973	TV Mini-Series 6 episodes
Cries & Whispers	1972
The Touch	1971
Fårö dokument	1970	TV Movie documentary
The Passion of Anna	1969
Riten	1969	TV Movie
Shame	1968
Hour of the Wolf	1968
Stimulantia	1967	segment "Daniel"

Actor

Title	Year	Status	Character
Larmar och gör sig till	1997	TV Movie	Mental patient (uncredited)
The Magic Flute	1975	TV Movie	Man in Audience (uncredited)
Scenes from a Marriage	1973	TV Mini-Series	Pressfotografens röst
Cries & Whispers	1972		Narrator (voice, uncredited)
The Passion of Anna	1969		Narrator (voice, uncredited)
Riten	1969	TV Movie	Priest
Kvinnodröm	1955		Man with poodle (uncredited)
A Lesson in Love	1954		Narrator / Man with Cap at Railway Station (uncredited)
Kvinnors väntan	1952		Man in the stairs at the gynecologist's (uncredited)
Till glädje	1950		Expecting Father at the Maternity Ward (uncredited)
Thirst	1949		Train Passenger (uncredited)
Music in Darkness	1948		Man with Newspaper on the Train (uncredited)
A Ship Bound for India	1947		Man wearing a beret at the funfair (uncredited)
Torment	1944		Voice on the Radio (voice, uncredited)

Producer

Title	Year	Status
Gotska Sandön	1987	Documentary producer
Sally and Freedom	1981	producer
From the Life of the Marionettes	1980	TV Movie producer
Min älskade	1979	producer
Rätt ut i luften	1978	TV Movie producer
Paradistorg	1977	producer
De fördömda kvinnornas dans	1976	Short producer
Cries & Whispers	1972	producer
The Touch	1971	producer - uncredited
Persona	1966	producer
The Virgin Spring	1960	producer - uncredited
Bakomfilm Smultronstället	1957	Documentary short producer

Miscellaneous

Title	Year	Status
Backanterna	1993	TV Movie stage director
Scenes from a Marriage	1973	TV Mini-Series speaker - 6 episodes
Prästen i Uddarbo	1957	script consultant - uncredited

Soundtrack

Title	Year	Status
The Seventh Seal	1957	lyrics: "HÅLLAS MELLAN RONA", "DET SITTER EN DUVA", "ÖDET ÄR EN RACKARE", "HÄSTEN SITTER I TRÄDET", "SKATS SÅNG"
Sista paret ut	1956	lyrics: "DET ÄR LÖRDAG I DAG"
Smiles of a Summer Night	1955	writer: "BORT MED SORG OCH BITTERHET"
Kvinnors väntan	1952	lyrics: "Marta är Ett rosende träd" / writer: "Marta är Ett rosende träd"

Cinematographer

Title	Year	Status	Character
Bilder från lekstugan	2009	Documentary short
Stimulantia	1967

Art Director

Title	Year	Status	Character
A Lesson in Love	1954	uncredited

Assistant Director

Title	Year	Status	Character
Torment	1944	assistant director

Camera Department

Title	Year	Status	Character
Liv & Ingmar	2012	Documentary cinematographer: archive footage

Thanks

Title	Year	Status
The Well	2016	Short the director wishes to thank
Nosferatu vs. Father Pipecock & Sister Funk	2014	special thanks
The Debridement of Rome	2012	Short acknowledgment
Acid Head: The Buzzard Nuts County Slaughter	2011	special thanks
The Pain of Creation	2011	Short special thanks for inspiration
Amor o Muerte	2009	Short in memoriam
Palermo Shooting	2008	in memory of
Milk	2008/II	Short dedicatee - as Ernst Ingmar Bergman
777	2007	Short dedicatee
Tehzeeb	2003	this one's for you; the inspiration
Dansaren	1994	Documentary thanks
Dieter & Andreas	1989	Short grateful acknowledgment
Ingrid	1984	Documentary thanks
Summer Wishes, Winter Dreams	1973	acknowledgment: "Wild Strawberries" sequence courtesy - as Mr. Ingmar Bergman

Self

Title	Year	Status	Character
Gomorron	2000-2009	TV Series	Himself / Himself - Om hans liv / pictures from his life
Ingmar Bergman: Intermezzo	2004	Documentary short	Himself
Bergman Island	2004	TV Movie documentary	Himself
I Bergmans regi	2003	TV Movie documentary	Himself
Ljuset håller mig sällskap	2000	Documentary	Himself - Interviewee
Ingmar Bergman on Life and Work	1998	TV Movie documentary	Himself
The Voice of Bergman	1997	Documentary
Liv Ullmann scener fra et liv	1997	Documentary
Bergman: On Stage	1994	TV Movie documentary	Himself
The 1988 European Film Awards	1988	TV Special	Himself
Ingmar Bergman: The Magic Lantern	1988	TV Movie documentary
Ingmar Bergman á Íslandi	1986	Documentary	Himself
Dokument Fanny och Alexander	1986	Documentary	Himself
Inför Scener ur ett äktenskap	1986	TV Short documentary	Himself
Ingmar Bergman tar farväl av filmen	1983	TV Movie documentary	Himself
Victor Seastrom	1981	Documentary	Himself
A Look at Liv	1979	Documentary	Himself
The Making of Autumn Sonata	1978	Documentary	Himself
The South Bank Show	1978	TV Series documentary	Himself
The Bergman File	1978	Documentary
Ingmar Bergman inszeniert	1977	TV Movie documentary	Himself
Apropos Film	1977	TV Series documentary	Himself
Gespräch mit Ingmar Bergman	1977	TV Short documentary	Himself
Three Scenes with Ingmar Bergman	1975	Documentary	Himself - Interviewee
Film Night	1970-1971	TV Series	Himself
The Dick Cavett Show	1971	TV Series	Himself
Hinter der Leinwand	1970	TV Series documentary	Himself
The 42nd Annual Academy Awards	1970	TV Special	Himself - Commenting on New Freedom and Trends in Film: Pre-Recorded
Fårö dokument	1970	TV Movie documentary	Reporter
Public Broadcast Laboratory	1968	TV Series	Himself
Begegnung mit Ingmar Bergman	1964	TV Movie documentary	Himself - Narrator
Ingmar Bergman Makes a Movie	1963	TV Movie documentary	Himself
Die VII. Internationalen Filmfestspiele	1957	TV Mini-Series documentary	Himself

Archive Footage

Title	Year	Status	Character
Ammatti: elokuvaohjaaja - Jörn Donner	2013	TV Movie documentary	Himself
Liv & Ingmar	2012	Documentary	Himself
Palme	2012	Documentary	Himself
Viaggio in Bergmania	2011	Documentary
Corman's World: Exploits of a Hollywood Rebel	2011	Documentary	Himself
The South Bank Show	2010	TV Series documentary	Himself
Hollywood sul Tevere	2009	Documentary	Himself
Bilder från lekstugan	2009	Documentary short
The 80th Annual Academy Awards	2008	TV Special	Himself - Memorial Tribute
The Orange British Academy Film Awards	2008	TV Movie documentary	Himself - Memorial Tribute
On Set Home Movies	2008	Video documentary short	Himself
Upp till kamp	2007	TV Mini-Series	Himself
Allsång på Skansen	2007	TV Series	Himself
Un écran nommé désir	2006	TV Movie documentary	Himself
The Originals	2005	Documentary short	Himself
Filmmakers in Action	2005	Documentary	Himself
Hour of the Wolf: The Search for Sanity	2004	Video documentary short	Himself
Away from Home	2004	Video documentary short	Himself
Passion of Anna: Disintegration of Passion	2004	Video documentary short	Himself
Federico Fellini - un autoritratto ritrovato	2000	Documentary	Himself
Cinema Europe: The Other Hollywood	1995	TV Mini-Series documentary	Himself
Karins ansikte	1984	Documentary short	Himself (uncredited)

Awards

Won Awards

Year	Award	Ceremony	Nomination	Movie
2006	Special Award	Sant Jordi Awards		Saraband (2003)
2005	Special Condor	Argentinean Film Critics Association Awards		Saraband (2003)
1998	Special Award	Camerimage	Best Duo of All Times: Director - Cinematographer
1998	Prize of the Ecumenical Jury	Cannes Film Festival		Special award for his whole works.
1997	Palm of the Palms	Cannes Film Festival
1996	Special Silver Ribbon	Italian National Syndicate of Film Journalists
1993	Guldbagge	Guldbagge Awards	Best Screenplay (Bästa manuskript)	Den goda viljan (1992)
1990	Lifetime Achievement Award	Directors Guild of America, USA
1988	Academy Fellowship	BAFTA Awards
1988	Life Achievement Award	European Film Awards
1986	Luchino Visconti Award	David di Donatello Awards
1986	Venice TV Prize	Venice Film Festival		De två saliga (1986)
1984	César	César Awards, France	Best Foreign Film (Meilleur film étranger)	Fanny och Alexander (1982)
1984	David	David di Donatello Awards	Best Foreign Film (Miglior Film Straniero)	Fanny och Alexander (1982)
1984	David	David di Donatello Awards	Best Foreign Director (Migliore Regista Straniero)	Fanny och Alexander (1982)
1984	David	David di Donatello Awards	Best Foreign Screenplay (Migliore Sceneggiatura Straniera)	Fanny och Alexander (1982)
1984	Critics Award	French Syndicate of Cinema Critics	Best Foreign Film	Fanny och Alexander (1982)
1984	Silver Ribbon	Italian National Syndicate of Film Journalists	Best Foreign Director (Regista del Miglior Film Straniero)	Fanny och Alexander (1982)
1983	Nocciola d'Oro	Giffoni Film Festival
1983	Guldbagge	Guldbagge Awards	Best Direction (Bästa regi)	Fanny och Alexander (1982)
1983	LAFCA Award	Los Angeles Film Critics Association Awards	Best Foreign Film	Fanny och Alexander (1982)
1983	NYFCC Award	New York Film Critics Circle Awards	Best Director	Fanny och Alexander (1982)
1983	FIPRESCI Prize	Venice Film Festival		Fanny och Alexander (1982)
1979	Bodil	Bodil Awards	Best European Film (Bedste europæiske film)	Höstsonaten (1978)
1979	Silver Ribbon	Italian National Syndicate of Film Journalists	Best Foreign Director (Regista del Miglior Film Straniero)	Höstsonaten (1978)
1978	NBR Award	National Board of Review, USA	Best Director	Höstsonaten (1978)
1976	BAFTA TV Award	BAFTA Awards	Best Foreign Programme	Trollflöjten (1975)
1976	LAFCA Award	Los Angeles Film Critics Association Awards	Best Foreign Film	Ansikte mot ansikte (1976)
1975	Jussi	Jussi Awards	Best Foreign Director	Viskningar och rop (1972)
1975	NSFC Award	National Society of Film Critics Awards, USA	Best Screenplay	Scener ur ett äktenskap (1973)
1975	Special Award	National Society of Film Critics Awards, USA		Trollflöjten (1975)
1974	Bodil	Bodil Awards	Best European Film (Bedste europæiske film)	Viskningar och rop (1972)
1974	David	David di Donatello Awards	Best Foreign Director (Migliore Regista Straniero)	Viskningar och rop (1972)
1974	Silver Ribbon	Italian National Syndicate of Film Journalists	Best Foreign Director (Regista del Miglior Film Straniero)	Viskningar och rop (1972)
1974	NYFCC Award	New York Film Critics Circle Awards	Best Screenplay	Scener ur ett äktenskap (1973)
1973	Technical Grand Prize	Cannes Film Festival		Viskningar och rop (1972)
1973	KCFCC Award	Kansas City Film Critics Circle Awards	Best Director	Viskningar och rop (1972)
1973	NBR Award	National Board of Review, USA	Best Director	Viskningar och rop (1972)
1973	NYFCC Award	New York Film Critics Circle Awards	Best Director	Viskningar och rop (1972)
1973	NYFCC Award	New York Film Critics Circle Awards	Best Screenplay	Viskningar och rop (1972)
1972	NSFC Award	National Society of Film Critics Awards, USA	Best Screenplay	Viskningar och rop (1972)
1971	Irving G. Thalberg Memorial Award	Academy Awards, USA		Ingmar Bergman was not present at the awards ceremony. Liv Ullmann
1971	NSFC Award	National Society of Film Critics Awards, USA	Best Director	En passion (1969)
1971	Career Golden Lion	Venice Film Festival
1969	NSFC Award	National Society of Film Critics Awards, USA	Best Director	Skammen (1968)
1968	NSFC Award	National Society of Film Critics Awards, USA	Best Director	Persona (1966)
1967	Golden Plate	David di Donatello Awards		For his career.
1964	Guldbagge	Guldbagge Awards	Best Direction (Bästa regi)	Tystnaden (1963)
1963	Kinema Junpo Award	Kinema Junpo Awards	Best Foreign Language Film	Smultronstället (1957)
1962	OCIC Award	Berlin International Film Festival		Såsom i en spegel (1961)
1962	CEC Award	Cinema Writers Circle Awards, Spain	Best Foreign Director (Mejor Director Extranjero)	Det sjunde inseglet (1957)
1962	Kinema Junpo Award	Kinema Junpo Awards	Best Foreign Language Film	Jungfrukällan (1960)
1962	Kinema Junpo Award	Kinema Junpo Awards	Best Foreign Film Language Director	Jungfrukällan (1960)
1962	Sant Jordi	Sant Jordi Awards	Best Film of the Year (Mejor Película del Año)	Det sjunde inseglet (1957)
1962	Sant Jordi	Sant Jordi Awards	Best Foreign Director (Mejor Director Extranjero)	Det sjunde inseglet (1957)
1961	Silver Ribbon	Italian National Syndicate of Film Journalists	Best Foreign Director (Regista del Miglior Film Straniero)	Det sjunde inseglet (1957)
1960	Special Mention	Cannes Film Festival		Jungfrukällan (1960)
1960	Silver Ribbon	Italian National Syndicate of Film Journalists	Best Foreign Director (Regista del Miglior Film Straniero)	Smultronstället (1957)
1959	Bodil	Bodil Awards	Best European Film (Bedste europæiske film)	Smultronstället (1957)
1959	Best Film	Mar del Plata Film Festival		Smultronstället (1957)
1959	Special Citation	National Board of Review, USA
1959	Special Jury Prize	Venice Film Festival		Ansiktet (1958)
1959	New Cinema Award	Venice Film Festival	Best Film	Ansiktet (1958)
1959	Pasinetti Award	Venice Film Festival	Competition	Ansiktet (1958)
1958	Golden Berlin Bear	Berlin International Film Festival		Smultronstället (1957)
1958	Best Director	Cannes Film Festival		Nära livet (1958)
1958	Pasinetti Award	Venice Film Festival	Parallel Sections	Smultronstället (1957)
1957	Bodil	Bodil Awards	Best European Film (Bedste europæiske film)	Sommarnattens leende (1955)
1957	Jury Special Prize	Cannes Film Festival		Det sjunde inseglet (1957)
1956	Award	Cannes Film Festival	Best Poetic Humor	Sommarnattens leende (1955)

Nominated Awards

Year	Award	Ceremony	Nomination	Movie
2005	César	César Awards, France	Best European Union Film (Meilleur film de l'Union Européenne)	Saraband (2003)
1986	Gold Hugo	Chicago International Film Festival	Best Documentary	Karins ansikte (1984)
1984	Oscar	Academy Awards, USA	Best Director	Fanny och Alexander (1982)
1984	Oscar	Academy Awards, USA	Best Writing, Screenplay Written Directly for the Screen	Fanny och Alexander (1982)
1984	Golden Globe	Golden Globes, USA	Best Director - Motion Picture	Fanny och Alexander (1982)
1984	BAFTA Film Award	BAFTA Awards	Best Foreign Language Film	Fanny och Alexander (1982)
1984	DGA Award	Directors Guild of America, USA	Outstanding Directorial Achievement in Motion Pictures	Fanny och Alexander (1982)
1980	Gold Hugo	Chicago International Film Festival	Best Documentary	Fårö-dokument 1979 (1979)
1979	Oscar	Academy Awards, USA	Best Writing, Screenplay Written Directly for the Screen	Höstsonaten (1978)
1979	César	César Awards, France	Best Foreign Film (Meilleur film étranger)	Höstsonaten (1978)
1977	Oscar	Academy Awards, USA	Best Director	Ansikte mot ansikte (1976)
1976	César	César Awards, France	Best Foreign Film (Meilleur film étranger)	Trollflöjten (1975)
1974	Oscar	Academy Awards, USA	Best Picture	Viskningar och rop (1972)
1974	Oscar	Academy Awards, USA	Best Director	Viskningar och rop (1972)
1974	Oscar	Academy Awards, USA	Best Writing, Story and Screenplay Based on Factual Material or Material Not Previously Published or Produced	Viskningar och rop (1972)
1968	Silver Ribbon	Italian National Syndicate of Film Journalists	Best Foreign Director (Regista del Miglior Film Straniero)	Persona (1966)
1965	Silver Ribbon	Italian National Syndicate of Film Journalists	Best Foreign Director (Regista del Miglior Film Straniero)	Tystnaden (1963)
1963	Oscar	Academy Awards, USA	Best Writing, Story and Screenplay - Written Directly for the Screen	Såsom i en spegel (1961)
1962	Golden Berlin Bear	Berlin International Film Festival		Såsom i en spegel (1961)
1960	Oscar	Academy Awards, USA	Best Writing, Story and Screenplay - Written Directly for the Screen	Smultronstället (1957)
1960	BAFTA Film Award	BAFTA Awards	Best Film from any Source	Ansiktet (1958)
1960	Palme d'Or	Cannes Film Festival		Jungfrukällan (1960)
1959	Golden Lion	Venice Film Festival		Ansiktet (1958)
1958	Palme d'Or	Cannes Film Festival		Nära livet (1958)
1957	Palme d'Or	Cannes Film Festival		Det sjunde inseglet (1957)
1956	Palme d'Or	Cannes Film Festival		Sommarnattens leende (1955)
1953	Golden Lion	Venice Film Festival		Kvinnors väntan (1952)
1952	Golden Lion	Venice Film Festival		Sommarlek (1951)
1948	Grand International Award	Venice Film Festival		Musik i mörker (1948)
1947	Award	Cannes Film Festival	Feature films	Skepp till India land (1947)

2^nd Place Awards

Year	Award	Ceremony	Nomination	Movie
1978	LAFCA Award	Los Angeles Film Critics Association Awards	Best Foreign Film	Höstsonaten (1978)
1974	NYFCC Award	New York Film Critics Circle Awards	Best Director	Scener ur ett äktenskap (1973)
1972	NSFC Award	National Society of Film Critics Awards, USA	Best Director	Viskningar och rop (1972)
1971	NSFC Award	National Society of Film Critics Awards, USA	Best Screenplay	En passion (1969)
1969	NSFC Award	National Society of Film Critics Awards, USA	Best Screenplay	Skammen (1968)
1968	NSFC Award	National Society of Film Critics Awards, USA	Best Screenplay	Persona (1966)

3^rd Place Awards

Year	Award	Ceremony	Nomination	Movie
1984	NSFC Award	National Society of Film Critics Awards, USA	Best Director	Fanny och Alexander (1982)
1978	NYFCC Award	New York Film Critics Circle Awards	Best Director	Höstsonaten (1978)